BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//mamuta art & research center - ECPv6.15.11//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:mamuta art & research center
X-ORIGINAL-URL:https://old.mamuta.org
X-WR-CALDESC:Events for mamuta art & research center
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:UTC
BEGIN:STANDARD
TZOFFSETFROM:+0000
TZOFFSETTO:+0000
TZNAME:UTC
DTSTART:20150101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VTIMEZONE
TZID:Asia/Jerusalem
BEGIN:DAYLIGHT
TZOFFSETFROM:+0200
TZOFFSETTO:+0300
TZNAME:IDT
DTSTART:20140328T000000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0300
TZOFFSETTO:+0200
TZNAME:IST
DTSTART:20141025T230000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0200
TZOFFSETTO:+0300
TZNAME:IDT
DTSTART:20150327T000000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0300
TZOFFSETTO:+0200
TZNAME:IST
DTSTART:20151024T230000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0200
TZOFFSETTO:+0300
TZNAME:IDT
DTSTART:20160325T000000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0300
TZOFFSETTO:+0200
TZNAME:IST
DTSTART:20161029T230000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0200
TZOFFSETTO:+0300
TZNAME:IDT
DTSTART:20170324T000000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0300
TZOFFSETTO:+0200
TZNAME:IST
DTSTART:20171028T230000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=UTC:20180722T080000
DTEND;TZID=UTC:20180722T170000
DTSTAMP:20260404T020139
CREATED:20180722T071325Z
LAST-MODIFIED:20180722T071325Z
UID:6061-1532246400-1532278800@old.mamuta.org
SUMMARY:[:IW]לולה אריאס | ותיקי מלחמה | פתיחה[:en]Lola Arias | Veterans | Opening [:]
DESCRIPTION:Within the framework of Intersections\, at the Jerusalem Film Festival\, the Mamuta Art and Research Center presents Argentinean artist\, theatre director\, and filmmaker Lola Arias. Veterans is a 5-channel exhibition\, in which soldiers re-enact traumatic war moments from the Falklands\, more than 30 years later. Five films play simultaneously and the viewer can move between the different tales:  The Swimmer by Marcelo Vallejo\, a formal metal worker now a triathlon champion;  The Voice by Daniel Terzano\, a psychologist now employed at a psychiatric hospital; The Sinking of the Belgrano by Dario Volonté\, a petty naval officer who now earns his living as a tenor; Last Day of War by Guillermo Dellepiane\, a retired brigadier and air force pilot\, and The Diary of a Soldier by Fabián Volonté\, a car mechanic reading from his tattered diary\, recording his experiences prior to the beginning of the war as a soldier.
URL:https://old.mamuta.org/event/lola-arias-veterans-opening/
LOCATION:Mamuta Art and Media Center\, Hansen House\, Gedaliahu Alon 14\, Jerusalem\, Israel
CATEGORIES:Screening
ATTACH;FMTTYPE=image/jpeg:https://old.mamuta.org/wpress/wp-content/uploads/2018/07/Veterans_ad-05.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20170718T203000
DTEND;TZID=UTC:20170719T235000
DTSTAMP:20260404T020139
CREATED:20170704T103931Z
LAST-MODIFIED:20170704T103931Z
UID:5777-1500409800-1500508200@old.mamuta.org
SUMMARY:[:IW] הדיבוק (1937–2017) סרט\, תזמורת ומיצג בהופעה חיה[:en]Der Dybbuk 1937-2017 | Film\, Live Orchestra and Live Performance[:]
DESCRIPTION:Der Dybbuk 1937-2017 | Film\, Live Orcehstra and Live Performance by Sala-manca group\, The Jerusalem Street Orchestra\, conducted by Ido Shpitalnik\, Adi Kaplan and Shachar Carmel | Yiddish (with English and Hebrew subtitles)\nA new edition of Michael Waszynski’s Film (Poland) with by Adi Kaplan\, Shachar Carmel & Sala-manca \n״The dead were returned to life\, and a culture long vanished wiped out by the Holocaust\, was resurrected on the screen” (Ira Konigsberg) \nA new\, re-edited version of the Yiddish film will be screened with live music and dubbing performance in the courtyard of the former Jerusalem Leprosarium (Hansen House)\, a venue no less gothic than the film’s aesthetics. \nThe new\, film-performance version is based on the film directed by Michael Waszynsky (1937)\, based upon S. Ansky’s play Der Dybbuk. Ansky wrote the play after completing the ethnographic expedition he organized between 1912-1914. The play (and film) tells the story of the ill-fated love between Hanan and Lea\, the possession of Lea’s body by Hanan’s soul\, the exorcism ceremony\, and death as resolution – a re-encounter of the lovers in the next world. \nAdi Kaplan\, Shahar Carmel\, and Sala-manca not only re-edited the film\, they also replaced the original music composed by Henekh Kohn and the cantorial songs performed by Gershon Sirotta\, with a new score. Performed live by the Jerusalem Street Orchestra\, conducted by Ido Shpitalnik\, the score is an adapted version of the Vltva (The Moldau)\, the second symphonic poem of Má vlast (My Homeland)\, by Czech composer Bedřich Smetana. The use of Smetana’s Moldau as a clear reference to Israel’s national anthem – resonating it\, but different – creates a liminal sonic soundscape incapable of defining an accurate sense of place or ideology. \nLea Mauas and Diego Rotman of the Sala-manca group are professional and real life partners\, possessing the voices of the “dead but eternal” characters\, originally performed by another real-life couple\, Lili Liliana (Leah) and Leon Liebgold (Hannan) \nIn the spirit of The Dybbuk\, the artists visit the archive instead of the cemetery\, and invite the dead to dance with the living once again. \nWith the support of The National Authority for Yiddish Culture\, Ostrovsky Family Fund\, Hansen House\, Jerusalem Municipality\, Bet Shalom Aleichem\, and the Polish Institute.
URL:https://old.mamuta.org/event/der-dybbuk-1937-2017-film-live-orchestra-and-live-performance/
LOCATION:Mamuta Art and Media Center\, Hansen House\, Gedaliahu Alon 14\, Jerusalem\, Israel
CATEGORIES:Performance/Concert,Screening
ATTACH;FMTTYPE=image/gif:https://old.mamuta.org/wpress/wp-content/uploads/2017/07/poster-corrected.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20170427T193000
DTEND;TZID=UTC:20170427T220000
DTSTAMP:20260404T020139
CREATED:20170404T103412Z
LAST-MODIFIED:20170404T103425Z
UID:5710-1493321400-1493330400@old.mamuta.org
SUMMARY:[:IW]נופים נפקדים | פתיחה גדולה[:en]Absentee Landscapes Big Opening [:]
DESCRIPTION:Sorry\, this entry is only available in Hebrew.
URL:https://old.mamuta.org/event/absentee-landscapes-big-opening/
LOCATION:Mamuta Art and Media Center\, Hansen House\, Gedaliahu Alon 14\, Jerusalem\, Israel
CATEGORIES:Meeting,Performance/Concert,Screening
ATTACH;FMTTYPE=image/gif:https://old.mamuta.org/wpress/wp-content/uploads/2013/12/Nofim-Nifkadim-A3.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20170224T100000
DTEND;TZID=UTC:20170224T235500
DTSTAMP:20260404T020139
CREATED:20170212T123035Z
LAST-MODIFIED:20170212T123035Z
UID:5678-1487930400-1487980500@old.mamuta.org
SUMMARY:[:IW] (1979) הדור השלישי\, מאת ריינר ורנר פאסבינדר[:en]The Third Generation by Reiner Werner Fassbinder (1979)[:]
DESCRIPTION:The Third Generation is a 1979 West German film\, a black comedy about terrorism\, written\, directed and cinematographed by Rainer Werner Fassbinder. The plot follows an ineffectual cell of underground terrorists who plan to kidnap an industrialist \nhttps://www.youtube.com/watch?v=tDdIlmf32b0
URL:https://old.mamuta.org/event/the-third-generation-by-reiner-werner-fassbinder-1979/
LOCATION:Mamuta Art and Media Center\, Hansen House\, Gedaliahu Alon 14\, Jerusalem\, Israel
CATEGORIES:Screening
ATTACH;FMTTYPE=image/jpeg:https://old.mamuta.org/wpress/wp-content/uploads/2017/02/16716260_988460697922545_7212102485281820509_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20170120T100000
DTEND;TZID=UTC:20170120T115500
DTSTAMP:20260404T020139
CREATED:20170108T113734Z
LAST-MODIFIED:20170114T185752Z
UID:5651-1484906400-1484913300@old.mamuta.org
SUMMARY:[:IW] (1956) הנידון למוות ברח\, מאת רוברט ברסון[:en] Un condamne a mort s'est echappe\, Robert Bresson (1956)[:]
DESCRIPTION:ההקרנות במעמותה שבבית הנסן\, גדליהו אלון 14. כניסה חופשית.\n\n\n\n\nהנידון למוות ברח | Un condamne a mort s’est echappe \nבמאי: רובר ברסון (1956) \nאיש המחתרת הצרפתית ניתפס בידי הגרמנים ונידון למוות. בתאו בכלא הוא מתחיל לרקום תוכנית בריחה. \nיום ו’\, 20.01\, 10:00 \nבמסגרת מועדון Sweet 16 בשיתוף סינמטק ירושלים \nA Man Escaped or: The Wind Bloweth Where It Listeth (French: Un condamné à mort s’est échappé ou Le vent souffle où il veut) is a 1956 French film directed by Robert Bresson. It is based on the memoirs of André Devigny\, a member of the French Resistance held in Montluc prisonby the occupying Germans during World War II. The protagonist of the film is called Fontaine. The second part of the title comes from the Bible (John 3:8) using the words of the Authorized King James Version (more recent translations use words like “wants” (which is the title in French) or “pleases” instead of “listeth”). Bresson himself was imprisoned by the Germans as a member of the French Resistance. \nThe soundtrack uses the Kyrie from Mozart’s Great Mass in C minor\, K. 427.[1] The film was entered into the 1957 Cannes Film Festival. \n 
URL:https://old.mamuta.org/event/1956-%d7%94%d7%a0%d7%99%d7%93%d7%95%d7%9f-%d7%9c%d7%9e%d7%95%d7%95%d7%aa-%d7%91%d7%a8%d7%97-%d7%9e%d7%90%d7%aa-%d7%a8%d7%95%d7%91%d7%a8%d7%98-%d7%91%d7%a8%d7%a1%d7%95%d7%9f/
LOCATION:Mamuta Art and Media Center\, Hansen House\, Gedaliahu Alon 14\, Jerusalem\, Israel
CATEGORIES:Screening
ATTACH;FMTTYPE=image/jpeg:https://old.mamuta.org/wpress/wp-content/uploads/2017/01/49558.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20161211T200000
DTEND;TZID=UTC:20161211T220000
DTSTAMP:20260404T020139
CREATED:20161203T165459Z
LAST-MODIFIED:20161203T165459Z
UID:5627-1481486400-1481493600@old.mamuta.org
SUMMARY:[:IW]מעודון ה-16: טאנגוס | Tangos - L'exil de Gardel[:en]Sweet 16 |  Tangos\, the Exile of Gardel\, Pino Solanas (1985) | Human Rights Day (10.11)[:]
DESCRIPTION:In the frame of the Sweet 16 Club and in occasion of the International Day for Human Rights in collaboration with the Jerusalem Cinematheq and the Israeli Film Archives and support of OFF\n\nTangos\, The Exile of Gardel\, Pino Solanas\nIn Paris\, a troupe of artistically inclined Argentine exiles long for their homeland and its traditions. Seeking to create a salve for their shared sense of isolation\, they craft a song-and-dance revue in honor of the late Carlos Gardel\, an iconic tango dancer. These lively music numbers mix ballet and the tango\, and they spread from the theater to backstage and into the streets of Paris\, as these melancholy expatriates gallivant around their adopted home.\n\n\n\n\n\n\nInitial release: November 6\, 1985 (France)\n\n\n\n\nDirector: Fernando Solanas\n\n\n\n\nMusic composed by: Fernando Solanas\, Astor Piazzolla\, José Luis Castiñeira de Dios
URL:https://old.mamuta.org/event/sweet-16-tangos-the-exile-of-gardel-pino-solanas-1985-human-rights-day-10-11/
LOCATION:Mamuta Art and Media Center\, Hansen House\, Gedaliahu Alon 14\, Jerusalem\, Israel
CATEGORIES:Screening
ATTACH;FMTTYPE=image/jpeg:https://old.mamuta.org/wpress/wp-content/uploads/2016/12/El_exilio_de_Gardel_Tangos.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20161210T200000
DTEND;TZID=UTC:20161210T220000
DTSTAMP:20260404T020139
CREATED:20161203T164339Z
LAST-MODIFIED:20161209T064106Z
UID:5622-1481400000-1481407200@old.mamuta.org
SUMMARY:[:IW]10.12.2016 יום זכויות האדם הבינלאומי |  פרויקט וידיאו ארט בינלאומי | [:en]10 December 2016\, International Human Rights Day | A World Wide Video-art Project[:]
DESCRIPTION:”Anu Banu” group presents: \nOn 10 December 1948 the UN-Council adopted the Universal Declaration of Human Rights. Each year this day is marked as the International Day of Human Rights. The Dutch organisation `Global Village Artists Network` (stichting White Cube) has created for this day a truly world wide project. Not only video-artists from each corner of the world\, but also shown simultaniously at different venues around the globe. \nGlobal Village Artists Network (stichting White Cube) is best known for its biennial art-project Global Village. Global Village is organized every two years since 2010. ‘Meeting’ is the central theme: artists from all over the world meet each other and the public. Every 2 years a new selection of about 65 emerging artists is made. Since 2010 we organized Global Village exhibitions in the Netherlands\, France\, Germany\, Denmark\, Azerbaijan and Macedonia. Next to this project Stichting White Cube organizes other exhibitions and projects within the EU. Stimulating cultural exchange between artists and public is the key factor in our productions. \nGlobal Videos\nGlobal Videos is a daughter-project of Global Village. With the Global Village-project we were faced with various logistical problems\, such as costs of transport\, visa\, customs\, etc. Due to those many artists weren’t able to be present at one of our exhibition\, especially artists from Africa\, Middle-East\, Latin-America and Asia found it difficult to get visa or to transport their art. With Global Videos we found an easy way which enable us to receive art-videos from each part of the world by internet; no visa-\, transport- or customs problems. And at the same time internet provide us a way to send the videos gathered by us back into the world to reach audiences outside our regulair exhibition-circuit. \n2016 is the first year we organize Global Videos. Our aim is to build up audiences in the coming 2 years. So that in 2018 when the Universal Declaration of Human Rights celebrates its 70th birthday we can organize Global Videos at 70 locations around the world (on all continents) with 70 art-videos from artists also from each corner of this earth. Thanks to our partners Global Videos can now been seen at already 5 continents. Screenings are organized at these 16 locations: \nFilmhuis Alkmaar in Alkmaar\, the Netherlands\,\nKulturhuset Kilden in Brøndby\, Denmark\,\nBurnaby Arts Council/Deer Lake Gallery in Burnaby BC\, Canada\,\nHelsinki Cosmopolitan Association in Helsinki\, Finland\,\nThe Little One Atelier in Hong Kong\, Hong Kong SAR\,\nSinema Kolikan in Jakarta\, Indonesia\,\nMamuta Art and Research Center in Jerusalem\, Israel\,\nStudio Seven in Karachi\, Pakistan\,\nSpółdzielnia Ogniwo in Krakow\, Poland\,\nGallery Mcube in Lalitpur\, Nepal\,\nThe Serpentine Gallery in Lismore NSW\, Australia\,\nComuna de Han-Ian in Macau\, Macau SAR\,\nNoname hub in Milan\, Italy\,\nBeechwood House in Moffat\, Scotland\,\nParatissima/Y.C. in Skopje\, FYR Macedonia\,\nGalleria Rajatila in Tampere\, Finland\,\nStudio Sonia Gil in Rio de Janeiro\, Brazil and\nPodium de Flux in Zaandam\, the Netherlands
URL:https://old.mamuta.org/event/10-december-2016-international-human-rights-day-a-world-wide-video-art-project/
LOCATION:Mamuta Art and Media Center\, Hansen House\, Gedaliahu Alon 14\, Jerusalem\, Israel
CATEGORIES:Screening
ATTACH;FMTTYPE=image/gif:https://old.mamuta.org/wpress/wp-content/uploads/2016/12/glovid-a3-low-res-1.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20161027T203000
DTEND;TZID=UTC:20161027T220000
DTSTAMP:20260404T020139
CREATED:20161008T163121Z
LAST-MODIFIED:20161008T163121Z
UID:5607-1477600200-1477605600@old.mamuta.org
SUMMARY:Sweet 16: Le Petit Soldat by Jean-Luc Godard (1960)
DESCRIPTION:New Sweet 16mm Screening at Lisbon Cinema (mamuta in Hansen) ~ Free Entrance\nin collaboration with the Jerusalem Cinematheq and the Israeli Film Archives \nThe Little Soldier (French: Le Petit Soldat) is a 1960 French film\, written and directed by French filmmaker Jean-Luc Godard\, but not released until 1963. It was Godard’s first film with Anna Karina\, who starred as Véronica Dreyer alongside Michel Subor (as Bruno Forestier). \nDuring the Algerian War\, Bruno Forestier lives in Geneva to escape the enlistment in France. Working for French intelligence\, he is ordered to kill Palivoda\, who is pro-FLN (National Liberation Front of Algeria)\, to prove he is not a double agent. Refusal and hesitation keep him from carrying out the assassination. \nMeanwhile\, he meets and falls in love with Véronica Dreyer\, who helped the FLN. Bruno plans to leave with her for Brazil\, but is captured and tortured by Algerian revolutionaries. \nHe escapes\, and agrees to kill Palivoda for the French in exchange for passage to Brazil for himself and Veronica. However\, the French discover Veronica’s ties to the FLN\, and torture her to death.
URL:https://old.mamuta.org/event/sweet-16-le-petit-soldat-by-jean-luc-godard-1960/
LOCATION:Mamuta Art and Media Center\, Hansen House\, Gedaliahu Alon 14\, Jerusalem\, Israel
CATEGORIES:Screening
ATTACH;FMTTYPE=image/jpeg:https://old.mamuta.org/wpress/wp-content/uploads/2016/10/godard.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jerusalem:20160929T203000
DTEND;TZID=Asia/Jerusalem:20160929T215000
DTSTAMP:20260404T020139
CREATED:20160918T031816Z
LAST-MODIFIED:20160918T031858Z
UID:5549-1475181000-1475185800@old.mamuta.org
SUMMARY:Dreams that Money Can Buy (1947) מועדון ה-16 מציג את סרטו של להנס ריכטר:Dreams that Money Can Buy (1947) by Hans Richter at Sweet 16
DESCRIPTION:Note: Missing the first 10 mins. of the film\nScreen in 16mm\nCollaborators included Max Ernst\, Marcel Duchamp\, Man Ray\, Alexander Calder\, Darius Milhaud and Fernand Léger. The film won the Award for the Best Original Contribution to the Progress of Cinematography at the 1947 Venice Film Festival. \nJoe/Narcissus (Jack Bittner) is an ordinary man who has recently signed a complicated lease on a room. As he wonders how to pay the rent\, he discovers that he can see the contents of his mind unfolding whilst looking into his eyes in the mirror. He realises that he can apply his gift to others (“If you can look inside yourself\, you can look inside anyone!”)\, and sets up a business in his room\, selling tailor-made dreams to a variety of frustrated and neurotic clients. Each of the seven surreal dream sequences in the diegesis is in fact the creation of a contemporary avant-garde and/or surrealist artist\, as follows:\nDesire Max Ernst (Director/Writer)\nThe Girl with the Prefabricated Heart Fernand Léger (Director/Writer)\nSong Lyrics John Latouche Sung by Libby Holman and Josh White\, accompanied by Norma Cazanjian and Doris Okerson\nRuth\, Roses and Revolvers Man Ray (Director/Writer)\nMusic By Darius Milhaud\nDiscs Marcel Duchamp (Writer)\nMusic By John Cage\nCircus Alexander Calder (Writer)\nMusic By David Diamond\nBallet Alexander Calder (Director/Writer)\nMusic By Paul Bowles\nNarcissus Hans Richter (Director/Writer)\nMusic By Louis Applebaum Dialogue by Richard Holback and Hans Richter\nJoe’s waiting room is full within minutes of his first day of operation\, “the first installment on the 2 billion clients” according to the male narrator in voiceover\, whose voice is the only one we hear in the non-dream sequences.
URL:https://old.mamuta.org/event/dreams-that-money-can-buy-1947-by-hans-richter-at-sweet-16/
LOCATION:Mamuta Art and Media Center\, Hansen House\, Gedaliahu Alon 14\, Jerusalem\, Israel
CATEGORIES:Screening
ATTACH;FMTTYPE=image/jpeg:https://old.mamuta.org/wpress/wp-content/uploads/2016/09/maxresdefault.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jerusalem:20160915T203000
DTEND;TZID=Asia/Jerusalem:20160915T213000
DTSTAMP:20260404T020139
CREATED:20160906T093740Z
LAST-MODIFIED:20160908T073157Z
UID:5520-1473971400-1473975000@old.mamuta.org
SUMMARY:סרטים קצרים של הנס ריכטר מועדון ה16Sweet 16: Hans Richter Short Films
DESCRIPTION:ההקרנות במעמותה שבבית הנסן\, גדליהו אלון 14. כניסה חופשית.\nהנס ריכטר – מיני רטרוספקטיבה\nריכטר היה בין היוצרים הראשונים העוסקים בקולנוע ניסיוני אבסטרקטי. ריכטר עסק במדיום החדש ופיתח שפה ייחודית ויוצאת דופן שהתאפיינה בתנועה\, עומק וצל. המיני־רטרוספקטיבה תוקרן במסגרת הפתיחה של התערוכה Foreign Stranger של מאיה שלייפר.\nתוכנית 1: סרטים קצרים יום ה’\, 15.09\, 20:30
URL:https://old.mamuta.org/event/sweet-16-hans-richter-short-film/
LOCATION:Mamuta Art and Media Center\, Hansen House\, Gedaliahu Alon 14\, Jerusalem\, Israel
CATEGORIES:Screening
ATTACH;FMTTYPE=image/jpeg:https://old.mamuta.org/wpress/wp-content/uploads/2016/09/imgres.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jerusalem:20160818T203000
DTEND;TZID=Asia/Jerusalem:20160818T213000
DTSTAMP:20260404T020139
CREATED:20160318T061334Z
LAST-MODIFIED:20160811T044058Z
UID:4700-1471552200-1471555800@old.mamuta.org
SUMMARY:מועדון ה-16:  4 סרטים ניסיוניים מאת ז'אק פימהSweet 16: 4 Experimental films by Jacques Fhima
DESCRIPTION:PANTHEON. Film Bolex 16 et 816 .Color and Black and White. 16mm. Sound Tape. 18 min \nLe TUEUR 816.Film Bolex. Paris.1983. USA .16mm Black and White. 8 min \nL’Ile du K. Film Bolex. Ile d’Oleron . 1982 . 16mm Black and White .8 min \nMARTHA. 16mm Couleur. Paris 1982. 8 min
URL:https://old.mamuta.org/event/sweet-16-4-experimental-films-by-jacques-fhima/
LOCATION:Mamuta Art and Media Center\, Hansen House\, Gedaliahu Alon 14\, Jerusalem\, Israel
CATEGORIES:Screening,Talk and Lecture
ATTACH;FMTTYPE=image/jpeg:https://old.mamuta.org/wpress/wp-content/uploads/2016/08/13912469_1816714688556632_5178793481880654214_n1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jerusalem:20160628T203000
DTEND;TZID=Asia/Jerusalem:20160628T223000
DTSTAMP:20260404T020139
CREATED:20160625T154804Z
LAST-MODIFIED:20160625T154804Z
UID:4670-1467145800-1467153000@old.mamuta.org
SUMMARY:מועדון 16 מציג: קריס מארקר "הצד השלישי של המטבע 1960"Sweet 16 Club presents: Chris Marker "Description of a Struggle" (1960)
DESCRIPTION:אודות הסרטים\n“הצד השלישי למטבע”\nהקרנת סרטו הדוקומנטריסט הצרפתי הענק של כריס מרקר (1921-2012)\, שהוזמן על ידי וים וליה ון ליר בראשית שנות ה-60 ליצור סרט תיעודי על ישראל. מרקר מתבונן במדינה ושואל שאלות מתוך הבנתו כי המאבק המכריע של ישראל אינו המאבק על עצם קיומה\, אלא מאבק על גיבוש זהותה הרוחנית והתרבותית. מה משמעותם של סמלים בחיינו? מהו זכרון קולקטיבי? מהם הגבולות בין הפרטי לציבורי?\nארץ: ישראל\, צרפת\nשנה: 1960\nאורך: 60 דקות\nשפה: אנגלית \n“Description of a Struggle” (1960 Israel/France 60 mins)\ndirector: Chris Marker\nMemories are at the core of Chris Marker’s work. The vague connections between recorded history\, communal memory and personal reminiscences\, the myriad of political factors\, ideological agendas and cultural filters that invariably shape our body of recollections\, the ethical dilemmas and psychological repercussions triggered by the traumatic events of the past\, all emerge as intriguing poetic motifs in his films. \n*הסרט יוקרן באנגלית\n*הכניסה בחינם\n*מוזמנים להגיע החל מ-20:00 להינות מהגינה ומבירה קרה
URL:https://old.mamuta.org/event/sweet-16-club-presents-chris-marker-description-of-a-struggle-1960/
LOCATION:Mamuta Art and Media Center\, Hansen House\, Gedaliahu Alon 14\, Jerusalem\, Israel
CATEGORIES:Screening
ATTACH;FMTTYPE=image/jpeg:https://old.mamuta.org/wpress/wp-content/uploads/2016/06/12795388_765605473541403_8996742476617204595_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jerusalem:20160405T200000
DTEND;TZID=Asia/Jerusalem:20160405T220000
DTSTAMP:20260404T020139
CREATED:20160308T073734Z
LAST-MODIFIED:20160308T074313Z
UID:4627-1459886400-1459893600@old.mamuta.org
SUMMARY:Sweet 16 - 16mm דוד אבידן Sweet 16 - 16mm David Avidan
DESCRIPTION:First Screening: David Avidan\nFollow by lecture by Dr Gilad Meiri
URL:https://old.mamuta.org/event/sweet-16-16mm-cinema-club/
CATEGORIES:Screening,Talk and Lecture
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jerusalem:20160120T190000
DTEND;TZID=Asia/Jerusalem:20160120T220000
DTSTAMP:20260404T020139
CREATED:20160107T084618Z
LAST-MODIFIED:20160110T075616Z
UID:4590-1453316400-1453327200@old.mamuta.org
SUMMARY:פריפריות חדשות במרכזNew Periphery in Mamuta Center
DESCRIPTION:Team Etc. – Artist talk \nScreening: Give her Back or Take me too | Gilad Ratman \nPerformance: Meditations of a Queen in Exile | Sala-manca
URL:https://old.mamuta.org/event/new-periphery-in-mamuta-center/
CATEGORIES:Performance/Concert,Screening,Talk and Lecture
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jerusalem:20150715T194500
DTEND;TZID=Asia/Jerusalem:20150715T220000
DTSTAMP:20260404T020139
CREATED:20150625T094328Z
LAST-MODIFIED:20150627T165520Z
UID:4395-1436989500-1436997600@old.mamuta.org
SUMMARY:הקרנה: פיל סולומון -הגן נעלםScreening: Phil Solomon - The Secret Garden
DESCRIPTION:Phil Solomon – The Secret Garden \n5 films \nIntroductory presentation: Dr Hava Aldouby \nWednesday 15.7 Cinemateque 2 | 19:45 \nThe Secret Garden (1988) 16mm\, color\, silent\, 17 minutes \nThe Snowman (1995) 16mm\, color\, sound\, 8 minutes \nRemains to be Seen (1989\, revised 1994) 16mm color\, sound\, 17.5 minutes \nPsalm II: “Walking Distance” (from the Twilight Psalms series) (1999\, 16mm\, color\, sound\, 23 minutes) \nPsalm III: “Night of the Meek” (from the Twilight Psalms series) (2002\, 16mm\, b/w\, sound\, 23 minutes) \nfor tickets: http://tickets.jer-cin.org.il/festival/hall.asp
URL:https://old.mamuta.org/event/screening-phil-solomon-the-secret-garden/
LOCATION:Jerusalem Cinematheque\, 11 Hebron Road\, Jerusalem
CATEGORIES:Screening
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jerusalem:20150408T190000
DTEND;TZID=Asia/Jerusalem:20150408T220000
DTSTAMP:20260404T020139
CREATED:20150403T180853Z
LAST-MODIFIED:20150403T181156Z
UID:4207-1428519600-1428530400@old.mamuta.org
SUMMARY:מעמותה ופסטיבל הקולנוע ב"לה אירה דה דיוס" בואנוס איירסMamuta and the JFF at La Ira de Dios\, Buenos Aires
DESCRIPTION:At La Ira de Dios\, Buenos Aires \nPresenting a selection of Israeli Video Art from the “Intersections” of the Jerusalem Film Festival:\nIntersections (Israel Video Art)\nfrom the Jerusalem Film Festival –  Expermiental Cinema and Video Art Award (2010-2014) \n\nCurated by Sala-manca artists group (Mamuta Art and Media Center)\nPresented by Diego Rotman \nOryctolagus Cuniculus |Keren Shavit | 2010 | 7′\nA group of men in long white coats congregate at the local community center basketball gym for the evaluation of 144 rabbits. The rabbit scoring highest in all categories is declared the winner. \nAmir Yartsiv | Detroit | 13′\nThe title of the video is borrowed from this training area in the country’s southern region. “Detroit” is a 1:1 simulation of a Palestinian city. The simulation generates an alternative reality which conceals the true reality. The training city “Detroit” was intended to prepare soldiers for combat in an urban area. It resembles a Muslim quarter\, thus meeting the users’ needs in a simulation which would furnish them with a fantasy of an Arab city. \nAmitai Arnon\, Esther Bires | Masks | 2014 | 12′\nThe film Masks was shot over 12 years during which Esther and Amitai documented two siblings at Purim festivities\, dressed up as different characters and embodying various roles. In Purim\, as in the carnival\, sacred and sanctified things are legitimately parodied. For 12 minutes a partial portrait of the children’s growing up is presented\, in states of abandon. Their adolescence and identity play is designated by the immediate surroundings of their life\, the Israeli town of Ramla – according to the national and religious timetable and the growing children’s life cycle during the film. \nOhad Fishof | ABDUCTION |  2010  | 8:34\nBased on an eponymous sci-fi story. Here\, it is man who abducts the alien\, and not vice versa.” The film and the story are a second part in a series of works\, “Hoon\,” which describes characters\, sites\, and events in the imaginary town of Hoon.                                     \nDana Gillerman | Pornographic Collage  | 2014 | 9:44\nTen women from diverse backgrounds were asked to watch a short porn film and\ndescribe what they see. The viewing is via computer\, filmed in Skype-like or porn-film style: intimate\, domestic and unpretentious. \nSally Krysztal Kramberg | Je te vois | 2013 | 1:38\nA video work that almost merges with the whiteness of the wall; a screwdriver  emerges through a cardboard wall. The screwdriver pierces the surface separating it  from the external world and opens a window that reveals nothing.
URL:https://old.mamuta.org/event/4207/
LOCATION:La Ira de Dios\, Aguirre 1029\, Buenos Aires\, Argentina
CATEGORIES:Screening
ATTACH;FMTTYPE=image/jpeg:https://old.mamuta.org/wpress/wp-content/uploads/2015/04/reapertura.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jerusalem:20150311T200000
DTEND;TZID=Asia/Jerusalem:20150311T220000
DTSTAMP:20260404T020139
CREATED:20150129T090214Z
LAST-MODIFIED:20150307T191715Z
UID:3351-1426104000-1426111200@old.mamuta.org
SUMMARY:אותו נהר פעמייםSame River Twice\, A film by Effi and Amir
DESCRIPTION:In 1869\, John McGregor\, a Scottish adventurer and explorer\, set out on a journey along the Jordan River from the river source to the Sea of Galilee. As he gazed down from the northern reaches of the Jordan he wrote: “To say the very least of this scene\, it was at any rate pretty. What it would seem if bereft of its holy associations and remembrance of a hundred armies that came this way […] I really cannot tell\, having failed (and willingly) in every attempt to look at the vale of Jordan as a mere river’s banks ”. In the summer of 2011 Effi and Amir\, now a decade in Europe\, retraced McGregor’s steps. Throughout a land of rented log cabins and kayaks\, bustling ith Israeli vacationers\, they take us with them on a journey down the river’s path. With great sincerity and a rare combination of intimacy and distance they gradually transform from traveler-explorers to explored travelers\, as the people they meet along the way unabashedly confront them with questions.The varied encounters\, view of the landscape and their own interventions raise questions of “natural” and “naturalized ”\, kinship” and “ownership”\, “closeness” and “distance”\, and about the ability – or inability – to see the place through the biographical and ideological veils that have produced us. \n110 min | 16/9 | COUL | 2013 | VO HE – EN / ST FR – EN \nfor more information visit the film site: http://www.deuxfoislememefleuve.net/
URL:https://old.mamuta.org/event/artists-talk-5/
LOCATION:Mamuta Art and Media Center\, Hansen House\, Gedaliahu Alon 14\, Jerusalem\, Israel
CATEGORIES:Screening
ATTACH;FMTTYPE=image/jpeg:https://old.mamuta.org/wpress/wp-content/uploads/2014/12/SRT_promo.jpg
END:VEVENT
END:VCALENDAR