mamuta art & research center

[:IW] הדיבוק (1937–2017) סרט, תזמורת ומיצג בהופעה חיה[:en]Der Dybbuk 1937-2017 | Film, Live Orchestra and Live Performance[:]
2017-07-18 20:30 - 2017-07-19 23:50 UTC | Mamuta Art and Media Center, Hansen House, Gedaliahu Alon 14, Jerusalem, Israel
Der Dybbuk 1937-2017 | Film, Live Orcehstra and Live Performance by Sala-manca group, The Jerusalem Street Orchestra, conducted by Ido Shpitalnik, Adi Kaplan and Shachar Carmel | Yiddish (with English and Hebrew subtitles)
A new edition of Michael Waszynski’s Film (Poland) with by Adi Kaplan, Shachar Carmel & Sala-manca
״The dead were returned to life, and a culture long vanished wiped out by the Holocaust, was resurrected on the screen” (Ira Konigsberg)
A new, re-edited version of the Yiddish film will be screened with live music and dubbing performance in the courtyard of the former Jerusalem Leprosarium (Hansen House), a venue no less gothic than the film’s aesthetics.
The new, film-performance version is based on the film directed by Michael Waszynsky (1937), based upon S. Ansky’s play Der Dybbuk. Ansky wrote the play after completing the ethnographic expedition he organized between 1912-1914. The play (and film) tells the story of the ill-fated love between Hanan and Lea, the possession of Lea’s body by Hanan’s soul, the exorcism ceremony, and death as resolution – a re-encounter of the lovers in the next world.
Adi Kaplan, Shahar Carmel, and Sala-manca not only re-edited the film, they also replaced the original music composed by Henekh Kohn and the cantorial songs performed by Gershon Sirotta, with a new score. Performed live by the Jerusalem Street Orchestra, conducted by Ido Shpitalnik, the score is an adapted version of the Vltva (The Moldau), the second symphonic poem of Má vlast (My Homeland), by Czech composer Bedřich Smetana. The use of Smetana’s Moldau as a clear reference to Israel’s national anthem – resonating it, but different – creates a liminal sonic soundscape incapable of defining an accurate sense of place or ideology.
Lea Mauas and Diego Rotman of the Sala-manca group are professional and real life partners, possessing the voices of the “dead but eternal” characters, originally performed by another real-life couple, Lili Liliana (Leah) and Leon Liebgold (Hannan)
In the spirit of The Dybbuk, the artists visit the archive instead of the cemetery, and invite the dead to dance with the living once again.
With the support of The National Authority for Yiddish Culture, Ostrovsky Family Fund, Hansen House, Jerusalem Municipality, Bet Shalom Aleichem, and the Polish Institute.

[:IW]הפיקניק האחרון - פתיחה[:en]The Last Picnic Opening[:]
2017-09-16 14:00 - 17:00 UTC | Mamuta Art and Media Center, Hansen House, Gedaliahu Alon 14, Jerusalem, Israel
The Last Picnic
Opening and Picnic: Saturday 16.9 14:00
Mamuta at Hansen House , Guedaliau Alon 14, Jerusalem
The Last Picnic is the name of the show/open studio of the Underground Academy, featuring works by: Shachaf Dekel in collaboration with Eran Hadas, Yoav Fisch, Renana Aldor, Naomi Slaney, Lilach Dekel-Avneri, Shir Shushan, Lior Pinsky, Sigal Yona

[:IW]פרפורמנס ושיח אמן[:en]Performances and artist talk at "the last picnic" show[:]
2017-09-26 18:00 - 21:00 UTC | Mamuta Art and Media Center, Hansen House, Gedaliahu Alon 14, Jerusalem, Israel
More info in Hebrew

[:IW]שיחת אמנים ופרפורמנס בתערוכה הפיקניק האחרון[:en]Artists Talk and Performances at The Last Picnic Show[:]
2017-10-21 11:00 - 15:00 UTC | Mamuta Art and Media Center, Hansen House, Gedaliahu Alon 14, Jerusalem, Israel

[:IW] פתיחה ופרפורמנס | אנא התנהגו בטבעיות[:en]Please Behave Naturally | Adi Kaplan and Shachar Carmel Opening and Performance [:]
2017-10-25 19:30 - 21:30 UTC | Mamuta Art and Media Center, Hansen House, Gedaliahu Alon 14, Jerusalem, Israel
Mamuta at Hansen House presents:
Please Behave Naturally
An exhibition by Adi Kaplan and Shahar Carmel
Curation and intervention: Sala-Manca Group
Performance: fragments from “The Pianist”, electro-acoustic performance by Shira Legman in collaboration with Adi Kaplan and Shachar Carmel | Performers: Hagai Freshtman (drums), Shira Legman (Cello), Adi Kaplan and Shachar Carmel (Foleys) | Paintings: Adi and Shachar | Music and Soundtrack designs: Shira Legman | Video adaptation: Shachar Davis | Sound Design: Giory Polity
55 pastel-oil paintings on canvases of different sizes make up the three series that comprise this exhibition, each documenting the goings-on in a different Tel Aviv public space. Carmel and Kaplan’s paintings are based on their own texts, each line of text inspiring one of the paintings. The series, painted over the course of the past three years, were printed in the book “Please Behave Naturally,” published in 2016 by LevAfor Publishing. Upon the book’s printing and publication, the paintings in it were rendered a byproduct of the book’s production.
Thus in a certain sense the exhibition is the catalog, elucidating the series of paintings that appear in the book. The exhibition and the book create paths that are reflected in one another, using the same images to tell similar but different stories. The book and the exhibition are not illustrations of one another, but parallel entities with similar faces. The installation in the gallery is a product of the re-editing of Kaplan and Carmel’s three stories within a single story, told through the intervention of the Sala-Manca group.
Kaplan and Carmel have been working together for more than two decades. They create together, complement one another, erase, add, and complete one another. Their choice of oil-pastel is an aesthetic as much as a conceptual choice: the colors are never resolved, always open for erasure or for the ongoing act of painting.

===========
We met Kaplan and Carmel, who work on the seamline between politics and art, during a guerilla action that they initiated in 2004, with the installation of the exhibition “Russian compounds” in Jerusalem’s Russian Compound (together with Yoram Blumenkrantz). The exhibition was presented as a response to the curators of the Artfocus 4 bienalle, after those agreed to sign the participating artists on a secret contract with the ministry of defense, which manages the site in which the biennale took place – a British mandatory prison that is located also in the Russian Compound. Shahar and Kaplan presented a series of paintings based on photographs of B’tselem. This was the beginning of an acquaintance that led to many collaborations, most of which took place in the framework of the “Heara” contemporary art interventions. The last – the collaborative work “The Dybbuk 1937-2017” was presented in the framework of the Jerusalem International Film Festival.
In the last one the two artists, in cooperation with the musician Shira Legman and the animation artist Shahar Davis, created the show “The pianist,” which combines live and recorded music, soundscape from the places described in the paintings, narration, and animated projections of the paintings. The show will go up in Hansen House in the opening of the exhibition.

https://www.facebook.com/events/874567549372983/?active_tab=about

The Dybbuk 1937-2017 | Film and Live Performance
2017-11-22 20:30 - 22:00 UTC | YMCA THEATER, King David 26, Jerusalem, Israel
Tickets: https://www.eventer.co.il/dybbuk

Jerusalem International YMCA, P.A.T. Labs and Mamuta present for only one time the great success of the year performed at the Jerusalem Film Festival 2017:
The Dybbuk 1937-2017

Film and live performance by Sala-manca (Lea Mauas and Diego Rotman), Adi Kaplan, Shachar Carmel, Ayu Rotman Mauas & The Jerusalem Street Orchestra, conducted by Ido Shpitalnik
Michael Waszynski (Poland) with a new edition by Adi Kaplan, Shachar Carmel & Sala-manca
״The dead were returned to life, and a culture long vanished, wiped out by the Holocaust, was resurrected on the screen” (Ira Konigsberg)
A new, re-edited version of the Yiddish film will be screened with live music and dubbing performance in the courtyard of the former Jerusalem Leprosarium (Hansen House), a venue no less gothic than the film’s aesthetics.
The new, film-performance version is based on the film directed by Michael Waszynsky (1937), based upon S. Ansky’s play Der Dybbuk. Ansky wrote the play after completing the ethnographic expedition he organized between 1912-1914. The play (and film) tells the story of the ill-fated love between Hanan and Lea, the possession of Lea’s body by Hanan’s soul, the exorcism ceremony, and death as resolution – a re-encounter of the lovers in the next world.
Adi Kaplan, Shahar Carmel, and Sala-manca not only re-edited the film, they also replaced the original music composed by Henekh Kohn and the cantorial songs performed by Gershon Sirotta, with a new score. Performed live by the Jerusalem Street Orchestra, conducted by Ido Shpitalnik, the score is an adapted version of the Vltva (The Moldau), the second symphonic poem of Má vlast (My Homeland), by Czech composer Bedřich Smetana. The use of Smetana’s Moldau as a clear reference to Israel’s national anthem – resonating it, but different – creates a liminal sonic soundscape incapable of defining an accurate sense of place or ideology.
Lea Mauas and Diego Rotman of the Sala-manca group are professional and real life partners, possessing the voices of the “dead but eternal” characters, originally performed by another real-life couple, Lili Liliana (Leah) and Leon Liebgold (Hannan)
In the spirit of The Dybbuk, the artists visit the archive instead of the cemetery, and invite the dead to dance with the living once again.
With the support of The National Authority for Yiddish Culture, Ostrovsky Family Fund, Hansen House, Jerusalem Municipality, Bet Shalom Aleichem, and the Polish Institute.

[:IW] שיחה עם עפרי כנעני ופתיחה של תערוכה ״לטובתה האישית״[:en] Talk with Ofri Cnaani and Opening of "For Her Own Good"[:]
2017-12-30 18:00 - 21:00 UTC | Mamuta Art and Media Center, Hansen House, Gedaliahu Alon 14, Jerusalem, Israel
for further info visit here

[:IW]הנשק היחיד שיש לי הוא הנוצה: | פתיחת תערוכה[:en]The Only Weapon I Have Is the Quill Pen | Opening[:]
2017-12-30 19:00 - 21:00 UTC | Mamuta Art and Media Center, Hansen House, Gedaliahu Alon 14, Jerusalem, Israel
For further info

The New Azazel Music A-Festival
2017-12-30 21:00 - 23:55 UTC | Mamuta Art and Media Center, Hansen House, Gedaliahu Alon 14, Jerusalem, Israel
futher info soon

[:IW]״אין מקום מרומם יותר ממקלטי הנוכחי״ | פתיחה[:en]There is no Place More Exalted than My Present Refuge | Opening[:]
2018-02-11 20:00 - 23:00 UTC | Mamuta Art and Media Center, Hansen House, Gedaliahu Alon 14, Jerusalem, Israel
There is no Place More Exalted than My Present Refuge
An Exhibition and Event Series
Mamuta Center for Contemporary Art at the Hansen House
3.2.17 – 11.3.17
At the opening:
Performance: ״Sacrifice״ by Adina Bar-On
Music: Faisal Aduma, The Ensemble of Terror and Love (Amir Bolzman and Ariel Armoni); Adaya Godlevsky
Among the participants are: Silvia Cabib, Elham Rokni, Roee Rosen, Eran Zax, Reuven Zahavi, Adi Kaplan and Shahar Carmel, Omer Isa, Max Epstein, Israel Rabinovitz, Sara Benninga, Lezli Rubin-Kunda, Avi Mograbiand Dan Allon, Hanna Ben Haim Yulzari, Nitsan Cohen, Marcelo Lauber, Ofri Cnaani, Leora Wise , Hilla Royzenman, Gustavo Sagorsky, Effi Weissand Amir Borenstein, Dorit Figovich Goddard, Yeshaiahu Rabinovitz, Gilad Ophir, Tomer Appelbaum Vaknin, Itamar Medes-Flohr, Sharon Pazner, Tamar Eloul, Mor Efron, Ronit Brat, Sala-manca
** Growing list – Open Call still open check responses **
The exhibition and series of events whose title is taken from the words of Leah, the bride in the Dybbuk by Sh. An-sky, engages with urgent questions regarding the Prevention of Infiltration Law passed by Israel’s Parliament in November 2017, and its grave implications for asylum seekers in Israel.
The exhibition and the event series attempt to raise questions, further discussion and promote action in line with our civic stand that offering refuge to asylum seekers whose lives are in danger is a basic humanitarian principle.
The events are organized in collaboration with Ronit Rozenthal, Tamar Verete-Zehavi and Silvia Cabib

[:IW] מה בין מרטין לותר קינג, נלסון מנדלה והמאבק נגד גירוש הפליטים? | מפגש לילדים והורים עם הסופרת תמר ורטה-זהבי[:en]Meeting with Tamar Verete-Zehavi (Hebrew)[:]
2018-02-13 06:00 - 19:30 UTC | Mamuta Art and Media Center, Hansen House, Gedaliahu Alon 14, Jerusalem, Israel
Sorry, this entry is only available in Hebrew.

[:IW]רב-שיח: בין גירוש פליטים לאי ציות אזרחי[:en]Public Discussion: Between the Expulsion of Refugees and Civic Disobedience[:]
2018-02-15 20:30 - 22:45 UTC | Mamuta Art and Media Center, Hansen House, Gedaliahu Alon 14, Jerusalem, Israel
Discussion (in Hebrew) with Rucham Weiss, Ph.D; Adv. Assaf Waizman; Brehna Nagassi Asylum Seeker from Eritrea, Reuven Abergil from the Black Panters Leaders
Head of the Panel: Yael Berda, Adv. – Hebrew University of Jerusalem
(more info soon)

[:IW]סדנאות: המגילה שלנו והכפר של מולו וצגאי[:en]Our Megila (Workshop)[:]
2018-02-16 13:00 - 15:00 UTC | Mamuta Art and Media Center, Hansen House, Gedaliahu Alon 14, Jerusalem, Israel
(more info in Hebrew)

[:IW]הבמה כבית ארעי | על התאטרון של דז׳יגאן ושומאכר | השקת ספר[:en]The Stage as a Temporary Home | On Dzigan and Shumachers Theater [:]
2018-02-19 20:00 - 22:00 UTC | Mamuta Art and Media Center, Hansen House, Gedaliahu Alon 14, Jerusalem, Israel
Please see Hebrew

[:IW]הקרנת הסרט ״בין הגדרות״ בנוכחות היוצרים[:en]BETWEEN FENCES, screening with the presence of the artists and participants[:]
2018-02-22 20:00 - 23:00 UTC | Mamuta Art and Media Center, Hansen House, Gedaliahu Alon 14, Jerusalem, Israel
Israel / France 2016, 85 min, Hebrew, Arabic and Tigrinya, English & Hebrew subtitles
Avi Mograbi and Chen Alon meet African asylum-seekers in a detention facility in the middle of the Negev desert, where they are confined by the state of Israel. Together, they question the status of the refugees in Israel using theatrical techniques. What leads men and women to leave everything behind and go towards the unknown? Why does Israel, founded by refugees, refuse to take into consideration the situation of the exiled, thrown onto the roads by war, genocide and persecution? Can the Israelis working with the asylum seekers put themselves in the refugees’ shoes?

[:IW]סדנת מסכות אפריקאיות לפורים[:en]Workshop for African Masks for Purim[:]
2018-02-28 12:30 - 14:30 UTC | Mamuta Art and Media Center, Hansen House, Gedaliahu Alon 14, Jerusalem, Israel

[:IW]ההצגה ״מולו וצגאי״[:en]Theater: Mulu and Tsegay[:]
2018-02-28 14:30 - 15:30 UTC | Mamuta Art and Media Center, Hansen House, Gedaliahu Alon 14, Jerusalem, Israel
Mulu and Tsegay
Ages: 4-10, Duration: 50 minutes
On the night of the full moon, a big fire comes to the village where brother and sister Mulu and Tsagay live in Africa. Equipped with The Blue Stone, they embark on a courageous journey to a foreign land. A unique world of puppetry, clay and materials from nature tells a coming of age story about friendship and love.
A stage adaptation for the children’s book ‘Mulu and Tzegay’ by Tamar Verete- Zehavi
Created by Moriya Benavot, Shaharit Yerushalmy & Hadas Selbst
Concept & Performing: Moriya Benavot & Shaharit Yerushalmy
Director: Hadas Selbst
Dramaturge: Roey Gormezano
Performer & Writer: Shaharit Yerushalmy
Performer & Puppet designer: Moriya Benavot
Original music: Dana Eizen
Table designer: Gilad Nardi
Puppet design consulter: Gili Ulmer- Kuzin
Props consulter: Yaron Karbel
Light designer: Itamar Houri

[:IW]בהיר מאלף שמשות | פתיחה[:en]Brighter Than Thousand Suns | Opening[:]
2018-03-15 20:00 - 22:00 UTC | Mamuta Art and Media Center, Hansen House, Gedaliahu Alon 14, Jerusalem, Israel

[:IW]השקת קטלוג ״בהיר מאלף שמשות״ - יהודית שלוסברג יוגב[:en]Launching of Yehudit Shlosberg-Yogev exhibition's Catalogue[:]
2018-05-03 07:00 - 20:30 UTC | Mamuta Art and Media Center, Hansen House, Gedaliahu Alon 14, Jerusalem, Israel
19:00 השקת הקטלוג של התערוכה ״בהיר מאלף שמשות״ מאת יהודית שלוסברג-יוגב באוצרות של סלה-מנקה. שיחה עם האמנית ועם האוצרים.
התערוכה היא הזמנה לחוות את החלל המרתפי של מעמותה בבית הנסן כמקלט של שרידים חזותיים, רגעים לאחר האסון הגדול, דימויים שנראים כלקוחים ממסע ארכיאולוגי במרחבי האימה האנושית – החל מהחרדה לנוכח כוחו של האדם וכלה בפחד מהאין-חזור.
20:30 מופע של מקהלת גיא בן הינום בבית הנסן

[:IW]מקהלת גיא בן הינום במופע מול הלבנה[:en]Great Gehenna Choir Moon Performance[:]
2018-05-03 08:30 - 21:30 UTC | Mamuta Art and Media Center, Hansen House, Gedaliahu Alon 14, Jerusalem, Israel

אקסודוסEXODUSاكسودوس
2018-05-10 21:00 - 2018-05-11 14:30 UTC | Mamuta Art and Media Center, Hansen House, Gedaliahu Alon 14, Jerusalem, Israel
10/5/18 21:00 || https://tixwise.co.il/he/exodus1
11/5/18 14:30 || https://tixwise.co.il/he/exodus2

Exodus – lecture-performance for divided audience
From Europe of WWII, through Palestine of 1948, to Syria of 2011, the desert to the Promised Land and a science fictional oasis. A journey with a cardboard suitcase navigating the Mediterranean Sea and Skype communication. Out of sight, out mind. Measuring the distance between Germany and Jerusalem with my grandmother, Shoshana, as my compass.
A work by Li Lorian
Artistic Guidance: Moran Duvshani
Desgin: Mai Aylon
Production: Achinoam Mendelson

[:IW]הדיבוק 1937--2017[:en]The Dybbuk 1937-2017[:]
2018-06-02 21:00 - 22:00 UTC | Israel Festival, Jerusalem Theater, Jerusalem
At the Israel Festival, Jerusalem Theater
DER DYBBUK (1937-2017)
50 minutes | Film and Live Performance

Directed by Michael Waszynski (Poland, 1937) with a new edition by Adi Kaplan, Shachar Carmel & Sala-manca (2017)
Live dubbing by Lea Mauas and Diego Rotman (Sala-manca group), Live Follies by Adi Kaplan, Shachar Carmel and Ayu Rotman Mauas & Live Music by The Jerusalem Street Orchestra, conducted by Ido Shpitalnik
״The dead were returned to life, and a culture long vanished, wiped out by the Holocaust, was resurrected on the screen” (Ira Konigsberg)
A new, re-edited version of the Yiddish film will be screened with live music and dubbing performance in the courtyard of the former Jerusalem Leprosarium (Hansen House), a venue no less gothic than the film’s aesthetics.
The new, film-performance version is based on the film directed by Michael Waszynsky (1937), based upon S. Ansky’s play Der Dybbuk. Ansky wrote the play after completing the ethnographic expedition he organized between 1912-1914. The play (and film) tells the story of the ill-fated love between Hanan and Lea, the possession of Lea’s body by Hanan’s soul, the exorcism ceremony, and death as resolution – a re-encounter of the lovers in the next world.
Adi Kaplan, Shahar Carmel, and Sala-manca not only re-edited the film, they also replaced the original music composed by Henekh Kohn and the cantorial songs performed by Gershon Sirotta, with a new score. Performed live by the Jerusalem Street Orchestra, conducted by Ido Shpitalnik, the score is an adapted version of the Vltva (The Moldau), the second symphonic poem of Má vlast (My Homeland), by Czech composer Bedřich Smetana. The use of Smetana’s Moldau as a clear reference to Israel’s national anthem – resonating it, but different – creates a liminal sonic soundscape incapable of defining an accurate sense of place or ideology.

Lea Mauas and Diego Rotman of the Sala-manca group are professional and real life partners, possessing the voices of the “dead but eternal” characters, originally performed by another real-life couple, Lili Liliana (Leah) and Leon Liebgold (Hannan)
In the spirit of The Dybbuk, the artists visit the archive instead of the cemetery, and invite the dead to dance with the living once again.
With the support of Ostrovsky Family Fund, Artis Grant Program, Polish Institute – Tel Aviv, P.A.T. (Performance Art and Technology), Hazira, Jerusalem Municipality, The National Authority for Yiddish Culture, Bet Shalom Aleichem.

[:IW]המבדיל בבית הנסן[:en]Hamavdil at the Hansen House[:]
2018-06-09 20:30 - 21:00 UTC | Mamuta Art and Media Center, Hansen House, Gedaliahu Alon 14, Jerusalem, Israel
“Hamavdil” is a sound intervention in the West Jerusalem soundscape from a temporary tower built at the Hansen House by the Czech architecht Martin Rainisj.
“Havdala” [Differenciation] is a ritual prayer and ceremony that marks the end of the Jewish Sabbath and the beginning of the week.
Amir Bolzman and the Sala-manca group blurred the soundscape of the neighborhoods of Talbyeh, Katamon, and the German Colony, playing a Jewish Havdalah prayer in the Arab-Jewish style. At first instance, this traditional Makam music coming from a tower using this particular type of speaker, appears to be a Muezzin. The Muslim call to prayer and the voice of the Muezzin, played with similar technology from mosques, has been the focus of a “sound conflict” in Israel and Jerusalem, with Jewish citizens complaining of the “contamination” of the soundscape and leading to the advancement of the “Muezzin Law” in the Israeli Knesset, a law that aims at restricting the scope of those prayers.
From another direction, the Arab-Jewish sound was suppressed from the Israel soundscape for ideological reason for many years.
The work challenges notions of identity and orientation regarding the local soundscape, and propose us to imagine another possible present or future.
The sound is based on Moshe Habusha’s Havdala Makam Rast from youtube.
Technical support Yoav Fisch

[:IW]לולה אריאס | ותיקי מלחמה | פתיחה[:en]Lola Arias | Veterans | Opening [:]
2018-07-22 08:00 - 17:00 UTC | Mamuta Art and Media Center, Hansen House, Gedaliahu Alon 14, Jerusalem, Israel
Within the framework of Intersections, at the Jerusalem Film Festival, the Mamuta Art and Research Center presents Argentinean artist, theatre director, and filmmaker Lola Arias. Veterans is a 5-channel exhibition, in which soldiers re-enact traumatic war moments from the Falklands, more than 30 years later. Five films play simultaneously and the viewer can move between the different tales: The Swimmer by Marcelo Vallejo, a formal metal worker now a triathlon champion; The Voice by Daniel Terzano, a psychologist now employed at a psychiatric hospital; The Sinking of the Belgrano by Dario Volonté, a petty naval officer who now earns his living as a tenor; Last Day of War by Guillermo Dellepiane, a retired brigadier and air force pilot, and The Diary of a Soldier by Fabián Volonté, a car mechanic reading from his tattered diary, recording his experiences prior to the beginning of the war as a soldier.

[:IW]פתיחת התערוכה: ותיקי מלחמה של לולה אריאס[:en]Veterans by Lola Arias, Opening[:]
2018-07-27 11:55 - 14:00 UTC | Mamuta Art and Media Center, Hansen House, Gedaliahu Alon 14, Jerusalem, Israel

[:IW]מתקהלות: שירה במרחב הביתי[:en]singing in the home space [:]
2020-04-30 18:00 - 19:00 (Asia/Jerusalem) | zoom
Another event in the frame of “Gathering” by Great Gehenna Choir. This gathering will be lead by Shiri Riseman. For more info and registration: https://greatgehennachoir.com/mitkahalot/

[:IW]מתקהלות - במעמקי המוזיקה הגיאורגית הווקלית[:en]Gathering: In Depth of the Georgian Vocal Music[:]
2020-05-04 18:00 - 19:00 (Asia/Jerusalem) | zoom
conductor of the gathering: Ido Akuv
for more info and registration: https://greatgehennachoir.com/mitkahalot/

[:IW]מתקהלות: מנטרה של כוח בהרכבה עצמית [:en]Gathering: Mantra of Strength - DIY[:]
2020-05-13 18:00 - 19:00 (Asia/Jerusalem) | zoom
Conductor of the gathering: Avner Miriam Amit
for more info and registration: https://greatgehennachoir.com/mitkahalot/

[:IW]פתיחת התערוכה ״משוואות מרחק״[:en]Opening of the exhibition Equations of Distance[:]
2020-06-02 14:00 (Asia/Jerusalem)

[:IW]Meetings at the Exhibition[:]
2020-06-20 17:30 - 21:30 (Asia/Jerusalem)
