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DTSTART;TZID=Asia/Jerusalem:20150712T200000
DTEND;TZID=Asia/Jerusalem:20150712T213000
DTSTAMP:20260408T100511
CREATED:20150622T112632Z
LAST-MODIFIED:20150624T151417Z
UID:4359-1436731200-1436736600@old.mamuta.org
SUMMARY:התחרות לאמנות וידאו וקולנוע ניסיוני 2015The Experimental Cinema and Video Art Awards 2015
DESCRIPTION:The Lia van Leer Award\, courtesy of Rivka Saker 12\,000 NIS \nOstrovsky Family Fund Award 8\,000 NIS \nSunday 12/7 19:30 Cinemateque 2 \n \nGOQC \nDir: Yahav Ger \nGOQC is a super quantum computer that comes to life in a world without people. \nAs his consciousness grows\, so does his need for an intelligent being such as his human creators. He puts his hope in the rapid evolution of the synthetic creatures around him – mankind’s remains. \n2014 | 15 min \n \nLady Slaughter & Lord Savage Vegan OR Meat Mutineers \nDir:  Avishai Sivan \nIn this video piece\, the two evils of human civilization – chauvinism and animal slaughter – come head to head in battle. Leah is loved by a devout vegan\, whose love is blind and obsessive. He turns violent when he learns that she slaughters cattle for a living. The cruel and the beautiful\, the shrewd and the bestial – are all fused together in a unique punk ballad. \n2015 | 10 min \n \nTour 1 \nDir: Myssa Daher \nMy work was influenced by growing up as fourth and youngest child in my family\, a sister to three older brothers. I grew up in front of the TV\, which made me restless and bored\, and so I invented imaginary games to entertain myself. I constantly wanted to go out on new adventures\, just like in the movies. Although by now I realize the difference between movies and reality\, this has had a great impact on my present confused and somewhat crazy personality. \n2014 | 5 min \n \nRehearsing the Spectacle of Spectres \nDir: Nir Evron & Omer Kriguer \nRehearsing the Spectacle of Spectres are the opening words of a poem written by Anadad Eldan (b. 1924)\, a member of kibbutz Be’eri who wrote librettos for kibbutz ceremonies\, holiday performances and agricultural pageants\, and also published numerous books of his own lyrical poetry. Evron and Krieger invited a group of kibbutz members to recite the 26 verses of this opaque and suggestive poem. \n2014 | 9:18 min \n \nFactory \nDir: Maya Geller \nFactory daily routine reveals a series of actions and the people behind it. Trying to pour meaning into empty flour sacks\, I became a diligent worker motivated by the factory’s flow; touching the material\, sifting\, processing\, letting it pass through me into the visual text presented to you. As a sterile organ I contained the dreams\, desires and erosion the factory holds within it. \n2015 | 12:30 \n \nGuava \nDir: Thalia Hoffman \n2048. On a road used by refugees\, between Jaffa-Tel Aviv and Beirut\, two refugees discuss love\, memory\, trust and forgetfulness. \n2014 | 12 min \n \nLast Person Shooter \nDir:  Boaz Levin & Adam Kaplan \nLast Person Shooter examines human and mechanical modes of vision. Through a series of historical scenes\, reconstructed as 3D architectural models\, the historical context and underlying concepts of machine vision are conjured. \n2014 | 12:40 min
URL:https://old.mamuta.org/event/the-experimental-cinema-and-video-art-awards-2015/
LOCATION:Jerusalem Cinematheque\, 11 Hebron Road\, Jerusalem
ATTACH;FMTTYPE=image/jpeg:https://old.mamuta.org/wpress/wp-content/uploads/2015/06/poster-tacharut-to-print-just-camm.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jerusalem:20150713T200000
DTEND;TZID=Asia/Jerusalem:20150713T220000
DTSTAMP:20260408T100511
CREATED:20150622T111414Z
LAST-MODIFIED:20150627T134951Z
UID:4356-1436817600-1436824800@old.mamuta.org
SUMMARY:פתיחה התערוכה: פיל סולומון | ארכיאולוג ברווורסOpening: Phil Solomon | Archaeology in Reverse
DESCRIPTION:Phil Solomon (b.1954) is a prominent American experimental filmmaker. His works have been widely exhibited. Solomon has been shown at the Whitney Biennial of American Art\, the New York Film Festival\, MoMA NY\, Tate Modern\, London\, and innumerable other venues in the US\, Europe\, South America\, Japan\, Hong Kong\, and India \nIn  his impressive work American Falls (2010)\, he chemically manipulates iconic moments of American history as these have been presented in period films\, thus weaving a cinematically mediated ironic and anxious look at the American dream. \nIn recent works Solomon has shifted to purely digital format\, appropriating videogame sessions as an unexpected source of ‘found footage’.  The In Memoriam trilogy\, which shall be shown at the Hansen House together with American Falls\, presents an unsettling experience of places that are at the same time very familiar and extremely unreal and uninhabitable. \ncurator: Hava Aldouby \nopening hours: Sun-Thur 10:00 – 18:00\, Friday 10:00 – 14:00 \nMamuta at Hansen House \nclosing: 31.8 \nThe exhibition is possible thanks to the generous support of the Ostrovsky Family Fund. With the support of Mamuta Art and Media Center and Hansen House. The catalogue and research for the exhibition were supported by Da’at Hamakom.
URL:https://old.mamuta.org/event/opening-phil-solomon-archaeology-in-reverse/
LOCATION:Mamuta Art and Media Center\, Hansen House\, Gedaliahu Alon 14\, Jerusalem\, Israel
ATTACH;FMTTYPE=image/jpeg:https://old.mamuta.org/wpress/wp-content/uploads/2015/06/Exhibition_Solomon_s.jpg
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BEGIN:VEVENT
DTSTART;TZID=Asia/Jerusalem:20150715T140000
DTEND;TZID=Asia/Jerusalem:20150715T200000
DTSTAMP:20260408T100511
CREATED:20150622T111855Z
LAST-MODIFIED:20150630T185854Z
UID:4358-1436968800-1436990400@old.mamuta.org
SUMMARY:סימפוזיון: קולנוע ממקום-שאיננו-מקוםSymposium: Gaming Meets Experimental Cinema in Non-Places
DESCRIPTION:On the occasion of the exhibition Phil Solomon: Archaeology in Reverse\, to open 13 July at the Hansen Art and Media Center in Jerusalem\, Solomon’s oeuvre will be addressed and contextualized in a symposium on the intersection between gaming and experimental cinema. The will take place on 15 July with a participation of game designers alongside academics in the fields of experimental cinema\, game design\, and digital culture.   \n14:00 Hava Aldouby\, “Phil Solomon: Archeology in Reverse\, an Introduction” \n14:45 Session I Narrative: Open Code \nChair: Ronen Leibman \nParticipants: Shalev Moran\, Guy Olmer\, Vered Pnueli\, Eitan Mejar \n16:30 Coffee break \n17:00 Session II Manipulations of Time and Place in Experimental Cinema \nChair: Diego Rotman \nParticipants: Chen Sheinberg\, Ori Levin\, Hava Aldouby \n19:45 Screening five films of Phil Solomon at the Cinematheque. For more information press here. \nThe symposium is a collaboration between Mamuta\, Hansen House\, Bezalel College of Art and Design\, and Da’at Hamakom- Center for the Study of Cultures of Place in Jewish Modernity.
URL:https://old.mamuta.org/event/symposium-gaming-meets-experimental-cinema-in-non-places/
LOCATION:Mamuta Art and Media Center\, Hansen House\, Gedaliahu Alon 14\, Jerusalem\, Israel
ATTACH;FMTTYPE=image/jpeg:https://old.mamuta.org/wpress/wp-content/uploads/2015/06/Exhibition_Solomon_s.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jerusalem:20150715T194500
DTEND;TZID=Asia/Jerusalem:20150715T220000
DTSTAMP:20260408T100511
CREATED:20150625T094328Z
LAST-MODIFIED:20150627T165520Z
UID:4395-1436989500-1436997600@old.mamuta.org
SUMMARY:הקרנה: פיל סולומון -הגן נעלםScreening: Phil Solomon - The Secret Garden
DESCRIPTION:Phil Solomon – The Secret Garden \n5 films \nIntroductory presentation: Dr Hava Aldouby \nWednesday 15.7 Cinemateque 2 | 19:45 \nThe Secret Garden (1988) 16mm\, color\, silent\, 17 minutes \nThe Snowman (1995) 16mm\, color\, sound\, 8 minutes \nRemains to be Seen (1989\, revised 1994) 16mm color\, sound\, 17.5 minutes \nPsalm II: “Walking Distance” (from the Twilight Psalms series) (1999\, 16mm\, color\, sound\, 23 minutes) \nPsalm III: “Night of the Meek” (from the Twilight Psalms series) (2002\, 16mm\, b/w\, sound\, 23 minutes) \nfor tickets: http://tickets.jer-cin.org.il/festival/hall.asp
URL:https://old.mamuta.org/event/screening-phil-solomon-the-secret-garden/
LOCATION:Jerusalem Cinematheque\, 11 Hebron Road\, Jerusalem
CATEGORIES:Screening
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