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X-WR-CALDESC:Events for mamuta art & research center
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DTSTART:20160101T000000
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DTSTART;TZID=UTC:20170715T210000
DTEND;TZID=UTC:20170715T235500
DTSTAMP:20260409T233735
CREATED:20170704T102718Z
LAST-MODIFIED:20170709T154924Z
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SUMMARY:[:IW]סמינר האש\, הקלטות מהספריות הכחולה והשחורה\, ברנדון לבל[:en]The Fire Seminar (recordings from the black and blue library)\, Brandon LaBelle[:]
DESCRIPTION:The Fire Seminar (recordings from the black and blue library) \nBrandon LaBelle \nStaged as a collective listening session\, The Fire Seminar takes place in the back garden of the Hansen House and is centered on the building of a fire. Utilizing a modified oil drum along with prepared and found materials\, the Seminar is a performative situation aimed at reflecting upon states of dispossession and creative survival. \nShaping The Fire Seminar will be a collection of audio recordings and documents culled from the Black and Blue Library and amplified through a sound system. From Blind Willie McTell and Ella Fitzgerald to Memphis Slim and Louis Armstrong\, the project of the Blues can be heard as an audible catalogue of the beaten\, the forlorn\, the libidinal and the resilient\, forming a rich and complex narrative of lyrical redemption and celebration. As Fred Moten suggests\, the black poetic tradition is one of deep resourcefulness and creative improvisation\, which mobilizes the logic of loss toward new states of self-possession and collective determination. By punctuating the night with a blaze of fire\, The Seminar draws out the Blues as a particular audibility\, one flushed with traditions of oral culture\, musical soul and sonic intensity\, and that may compel a passionate listening. \nDeveloped in collaboration with the artistic research project Synsmaskin\, Bergen Academy: http://synsmaskinen.net \n– \nBrandon LaBelle is an artist\, writer and theorist working with sound culture\, voice\, and questions of agency. He develops and presents artistic projects and performances within a range of international contexts\, often working collaboratively and in public. Recent works include “The Ungovernable”\, Documenta listening space\, Athens (2017)\, “Oficina de Autonomia”\, Ybakatu\, Curitiba (2017)\, “The Hobo Subject”\, Gallery Forum\, Zagreb (2016)\, and “The Living School”\, South London Gallery (2016). He is the author of Lexicon of the Mouth: Poetics and Politics of Voice and the Oral Imaginary (2014)\, Diary of an Imaginary Egyptian (2012)\, Acoustic Territories: Sound Culture and Everyday Life (2010)\, and Background Noise: Perspectives on Sound Art (2006; 2015). He lives in Berlin. \n 
URL:https://old.mamuta.org/event/the-fire-seminar-recordings-from-the-black-and-blue-library-brandon-labelle/
LOCATION:Mamuta Art and Media Center\, Hansen House\, Gedaliahu Alon 14\, Jerusalem\, Israel
CATEGORIES:Meeting,Performance/Concert,Talk and Lecture
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DTSTART;TZID=UTC:20170718T203000
DTEND;TZID=UTC:20170719T235000
DTSTAMP:20260409T233735
CREATED:20170704T103931Z
LAST-MODIFIED:20170704T103931Z
UID:5777-1500409800-1500508200@old.mamuta.org
SUMMARY:[:IW] הדיבוק (1937–2017) סרט\, תזמורת ומיצג בהופעה חיה[:en]Der Dybbuk 1937-2017 | Film\, Live Orchestra and Live Performance[:]
DESCRIPTION:Der Dybbuk 1937-2017 | Film\, Live Orcehstra and Live Performance by Sala-manca group\, The Jerusalem Street Orchestra\, conducted by Ido Shpitalnik\, Adi Kaplan and Shachar Carmel | Yiddish (with English and Hebrew subtitles)\nA new edition of Michael Waszynski’s Film (Poland) with by Adi Kaplan\, Shachar Carmel & Sala-manca \n״The dead were returned to life\, and a culture long vanished wiped out by the Holocaust\, was resurrected on the screen” (Ira Konigsberg) \nA new\, re-edited version of the Yiddish film will be screened with live music and dubbing performance in the courtyard of the former Jerusalem Leprosarium (Hansen House)\, a venue no less gothic than the film’s aesthetics. \nThe new\, film-performance version is based on the film directed by Michael Waszynsky (1937)\, based upon S. Ansky’s play Der Dybbuk. Ansky wrote the play after completing the ethnographic expedition he organized between 1912-1914. The play (and film) tells the story of the ill-fated love between Hanan and Lea\, the possession of Lea’s body by Hanan’s soul\, the exorcism ceremony\, and death as resolution – a re-encounter of the lovers in the next world. \nAdi Kaplan\, Shahar Carmel\, and Sala-manca not only re-edited the film\, they also replaced the original music composed by Henekh Kohn and the cantorial songs performed by Gershon Sirotta\, with a new score. Performed live by the Jerusalem Street Orchestra\, conducted by Ido Shpitalnik\, the score is an adapted version of the Vltva (The Moldau)\, the second symphonic poem of Má vlast (My Homeland)\, by Czech composer Bedřich Smetana. The use of Smetana’s Moldau as a clear reference to Israel’s national anthem – resonating it\, but different – creates a liminal sonic soundscape incapable of defining an accurate sense of place or ideology. \nLea Mauas and Diego Rotman of the Sala-manca group are professional and real life partners\, possessing the voices of the “dead but eternal” characters\, originally performed by another real-life couple\, Lili Liliana (Leah) and Leon Liebgold (Hannan) \nIn the spirit of The Dybbuk\, the artists visit the archive instead of the cemetery\, and invite the dead to dance with the living once again. \nWith the support of The National Authority for Yiddish Culture\, Ostrovsky Family Fund\, Hansen House\, Jerusalem Municipality\, Bet Shalom Aleichem\, and the Polish Institute.
URL:https://old.mamuta.org/event/der-dybbuk-1937-2017-film-live-orchestra-and-live-performance/
LOCATION:Mamuta Art and Media Center\, Hansen House\, Gedaliahu Alon 14\, Jerusalem\, Israel
CATEGORIES:Performance/Concert,Screening
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